Watts. H. Auden's Mus

 Essay about W. H. Auden’s Mus

Watts. H. Auden – Musée des Beaux Arts

Auden's poem ‘Musée des Adorables Arts' offers us the poet's idea on Breughel's painting in the ‘Icarus myth' from Ancient greek language history. The poem is based on many different designs depending on just one aspect (the reader will have to assume that Auden is talking about Breughel's painting - as referenced in the second stanza).

Through this essay, I will analyse and identify key themes, framework, language products, tone, and imagery coming from W. L. Auden's pre-Second World Warfare poem ‘Musée des Adorables Arts'.

Auden's poem is based on what is known since ‘assumed knowledge'. " In Breughel's Icarus, for instance: how everything becomes away”. This implies that Auden expects the audience to have found – at least heard of – either the painting or the story by Greek mythology. However , it can give perception on an alternate meaning for the prose.

The previous stanza mentions" martyrdom” (dying pertaining to something. my spouse and i. e. Second World War) which relates to the historic context in the poem. " How anything turns away”. This infers that Auden is referring to how The european union ‘turned away' from the fact that was happening in Nazi Germany during the early nineteen forties (when the poem was written). In addition , the compare in words and phrases used within the poem (" innocent behind”) are used to juxtapose how W. H. Auden has put the idea of Europe practically overlooking the Holocaust with the Icarus disaster – which is used to illustrate Auden's opinions and views of what was going on during the 1940s in Second World War Britain.

‘Musée dieses Beaux Arts' includes different versions of dialect devices. The utilization of sibilance in the poem, " disappearing…passionately…sun shone”, highlights the contrast of the mood in Auden's writing. This makes it very clear that the develop of the composition varies through. For instance, the first stanza opens using a drabbed beginning (" About suffering”) yet ends with all the juxtaposition " innocent behind”. This shows the dissimilarities in the feelings throughout the composition.